In 1995, the Wu-Tang Clan were forging their legend, and ODB was the crew’s madcap mascot.
(The Wu universe would come to include a comic series, an origin story TV show, and a one-of-a-kind million-dollar rap artifact purchased by the world’s most loathed pharmaceutical executive.) The Dirty Version kicked off a world-conquering year for the Wu, which included two other solo classics: Raekwon’s Only Built 4 Cuban Linx and GZA’s Liquid Swords. Long before the Marvel Cinematic Universe, RZA designed an epic franchise with a cast of outsized characters crossing over from one project to the next, and a rich cross-cultural history: Five-Percenter raps from cross-town New Yorkers drawing from ’70s and ’80s martial arts cinema, which itself drew on the mythology of ancient dynasties. Wu-Tang’s 1993 debut Enter the Wu-Tang (36 Chambers) was like a rift in the space-time continuum. Unapologetic and raw, he turned to Uncle Sam and hollered, this is the savage you created, and did it with a Cheshire grin. But beyond its place in the ODB mythology or in Wu-Tang lore, The Dirty Version is above all a brash indictment of American classism and respectability politics. It’s an oxymoron, a work of orchestrated negligence, a makeshift classic. In The Wu-Tang Manual, RZA, the Wu’s producer, chief creative mastermind, and self-appointed abbot, dubbed him a “freelance rhyme terrorist.” Two forces are at war with each other on Return to the 36 Chambers: RZA’s diligence and ODB’s inconsistency. The spontaneity of his live stunts extended to his raps: You never knew what he was going to do or say next, and maybe he didn’t either. ODB’s debut album, Return to the 36 Chambers: The Dirty Version, is a masterclass in winging it. “I can’t stay on stage too long tonight, the cops is after me,” he told the elated and astounded crowd at Hammerstein Ballroom, after performing “Shame On a Nigga.” For Ol’ Dirty Bastard, the line between mania and lucidity was always razor-thin, a slapstick high-wire act that was as exhilarating as it was dangerous. In 2000, he escaped from a rehab facility in Los Angeles, went on the lam for a month, and popped up as a fugitive to perform at a Wu-Tang Clan release party in New York City.
In 1998, he interrupted Shawn Colvin’s Grammy acceptance speech to protest Puff Daddy’s win for Best Rap Album before a national audience of 25 million people. In 1993, he was the only fiend audacious enough to sideline Biggie at his own birthday show, taking over the set and turning one of the greatest rappers ever into a hype man. Wu-Tang Clan Licensed to YouTube by SME (on behalf of RCA Records Label) ASCAP, EMI Music Publishing, UMPI, UBEM, UMPG Publishing, CMRRA, SOLAR Music Rights Management, and 10 Music Rights Societies.Ī new version of Last.fm is available, to keep everything running smoothly, please reload the site.Ol’ Dirty Bastard was meant for the stage. The Enter The Wu-Tang (36 Chambers) mp3 are of good quality, nice. Wu-Tang Clan - Enter The Wu-Tang Info:Enter the Wu-Tang (36 Chambers) is the debut album of American East Coast hip hop collective Wu-Tang Clan, released Novemon Loud Records and distributed by RCA.
Wu-Tang Clan - Enter The Wu-Tang (36 Chambers) (Vinyl LP) 15,95 € Includes Free Digital Download Code Of The Entire Album! 2016 Reissue /.Repress 'We Are Vinyl' E.Enter the Wu-Tang (36 Chambers) is the debut album of American hip hop group Wu-Tang Clan, released Novemon Loud Records and distributed through RCA Records.Recording sessions for the album took place during 1992 to 1993 at Firehouse Studio in New York City, and it was mastered at The Hit Factory.Enter The Wu-tang 36 Chambers Download Music.Enter The Wu-tang 36 Chambers Download Chrome.